Gen's upcoming events and Misc.upcoming projects...





GENS MISC. UPCOMING PROJECTS: Heartworm Press are publishing “Collected Lyrics and Poems of Genesis Breyer P-Orridge – Volume One 1961 to 1971. Later they will publish Gen's first novel, written in 1969, “Mrs. Askwith”. Other books will follow.

Friday, July 12, 2013

QUEER FILM SUMMER CAMP: JARMAN’S SEBASTIANE, PRESENTED BY GENESIS BREYER P-ORRIDGE


QUEER FILM SUMMER CAMP: JARMAN’S SEBASTIANE, PRESENTED BY GENESIS BREYER P-ORRIDGE

« Back to Events
This event has passed.
Event:
Queer Film Summer Camp: Jarman’s Sebastiane, Presented by Genesis Breyer P-Orridge
Start:
July 13, 2013 7:00 PM
End:
July 13, 2013 10:00 PM
Organizer:
Greg
Phone:
646 457 0859
contact@bgsqd.com
Updated:
June 23, 2013
Venue:
Bureau of General Services–Queer Division
Phone:
646 457 0859
Address:
Google Map
Strange Loop Gallery, 27 Orchard St.New York, NY10002United States
genesis and sebastiane
Genesis Breyer P-Orridge will introduce Derek Jarman‘s Sebastiane (1976), the second film in the Queer Film Summer Camp series, presented by the Bureau and Peter Hargrove (see below).
IMDB page for Sebastiane
The cultural engineer Genesis Breyer P-Orridge is an avant-garde anti-hero whose remarkable body of underground work reminds us that when you believe something, artistic integrity demands that you live by it too. In 2007 h/er partner Lady Jaye BREYER dropped h/er body. Since that time Genesis continues to represent the amalgam BREYER P-ORRIDGE in the material “world” and Lady Jaye represents the amalgam BREYER P-ORRIDGE in the immaterial “world” creating an ongoing interdimensional collaboration. Their work documents the physical alterations s/he and the late Lady Jaye, endured within their project Pandrogeny, about re-union and re-solution of male and female to a perfecting hermaphroditic state. Genesis is one of the most rigorous and relentless agents of the postwar Anglo-American vanguard, interrogating the meaning and substance of identity in a peerless half-century program of willful reincarnation and shape-shifting. Embracing the body as not simply the vessel but the site of the avant-garde impulse, BREYER P-ORRIDGE has reinvented and reintroduced h/erself again and again—as Fluxus pioneer, groundbreaking performance artist, inventor of industrial music, “wrecker of civilization,” essayist and theoretician, and, most recently, as pandrogyne.
www.genesisbreyerporridge.com

The Bureau of General Services—Queer Division and Peter M. Hargrove, President of Hargrove Entertainment, Inc., proudly present Queer Film Summer Camp, a series devoted to queer films, or films viewed queerly. Queer Film Summer Camp will take place at the Bureau on the nine consecutive Saturday evenings in July and August. An exciting array of film critics and historians along with other queer and queer-friendly NYC-based arts professionals will introduce each film with a brief lecture.
Suggested donation of $10
Drinks will be served at 7 PM
The introductory lectures will begin at 8 PM
EVENTS HOME

Tuesday, June 25, 2013

GENESIS BREYER P-ORRIDGE “S/HE IS HER/E” at the Andy Warhol Museum, Pittsburgh SFAQ article

From http://www.sfaqonline.com/2013/06/genesis-breyer-p-orridge-she-is-here-at-the-andy-warhol-museum-pittsburgh/

I think it’s a good sign that art people can be made uncomfortable in the way Genesis Breyer P-Orridge makes them uncomfortable. S/he doesn’t fit into any category, which is exactly what s/he intends, making the process of h/er recent re-evaluation in art historical context particularly important to analyze. H/er retrospective “S/HE IS HER/E” mounted by the Andy Warhol Museum in Pittsburgh brings together 100 works from the mid 1970s to today; you look back through h/er current “pandrogyny” work, following the evolution of formal strategies (performance, the cut-up) and the expansion of a coherent symbolic vocabulary.


courtesy of the artist and INVISIBLE-EXPORTS
courtesy of the artist and INVISIBLE-EXPORTS

While Genesis is a cult icon in the music world, best know as the animating force behind the bands Throbbing Gristle and Psychic TV, h/er pioneering performances are rarely considered in the lineage of performance art, just as h/er visual art remains largely unexamined. One reason for this is that P-Orridge has done a lot of work to construct h/er own theoretical/philosophical context that is antithetical to the commercial art world and its discourses. H/er voluminous writings have recently been made available in the “Psychick Bible” where s/he discusses different ritual actions one can do to de-naturalize the structures of social and political power that invisibly govern our minds and bodies.


Courtesy of the artist and INVISIBLE-EXPORTS
Courtesy of the artist and INVISIBLE-EXPORTS

One of these ritual acts of image-making is the “sigil”—a process of symbolic spell making with the intention of “making something happen.” That Breyer P-Orridge insists that its art’s job is to “make things happen” in the world, as a vital part of life, shows how far she is from the academic-careerism that dominates current discourse. A collection of sigils from the 80′s are shown, including one made at the request of h/er friend Derek Jarman who needed strength to finish a film as he was dying of AIDS.


courtesy of the artist and INVISIBLE-EXPORTS
courtesy of the artist and INVISIBLE-EXPORTS

Like any alchemist Breyer P-Orridge wants to regain the “order of intimacy” as Bataille put in in his “Theory of Religion” a state where all categorical divisions have been broken down. Kissing and sex rituals are then figured as a symbolic representations of this merger. In the kinetic sculpture “Tongue Kiss” two wolf heads with knife tongues face each other, one suspended upside-down circling the other. The knife tips pass a hair’s width apart—every so often hitting, making a little ringing sound. It is a beautiful little meditation on the structure of desire. The idea of the cut-up, taken from the artist’s friends Brion Gysin and William Burroughs, comes to its fullest incarnation in the Pandrogyne work where P-Orridge and h/er lover Lady Jaye Breyer “cut-up” their bodies to create a third being.

The most beautiful section of the exhibition is a gallery of Polaroids by Breyer P-Orridge and selection of previously unseen Warhol polaroids. In some ways glamour and outrageous social performance make Genesis-Warhol seem like an easy fit, although they are in fact completely opposites in intention and execution. Unlike Warhol, with his shell game of surrogates, it is actually always P-Orridge’s own body on the line, a body that believes in sex, violence, and spirituality and eschews all the vacant materialism of the Warhol-automaton. Genesis, with the greatest humor, addresses this conflict in the collage “Like Father, Like Son?” All children have to rebel against their parents.


courtesy of the artist and INVISIBLE-EXPORTS
courtesy of the artist and INVISIBLE-EXPORTS

The day before the opening Genesis gave a walk through just for the staff of the museum—almost all of them came, it was a mob. As we were leaving the opening through the back, one of the security guards stopped h/er and said “I want to tell you that what you said about your art was one of the best things I’ve ever heard. We’ve all been talking about it. I think this is the best thing I’ve ever seen at this museum.”

For more information visit heree.

-Contributed by Jarrett Earnest

Sunday, June 9, 2013

Genesis and White Stains perform in Nefertiti in Gothenburg on the 29th




Entry from Carl Abrahamsson's blog at  http://carlabrahamsson.blogspot.se

With "At Stockholm" being one of my favorite Genesis projects ever ,this is quite exciting news!





Genesis P-Orridge, Gothenburg 1989. © Carl Abrahamsson

It's never too late or too soon to look back and enjoy the past. Especially when it deals with future, as it does now. On June 29th, White Stains will resurface after a 20 year hiatus/hibernation. This in order to celebrate two specific projects: White Stains' 1990 album At Stockholm and Cotton Ferox' album Wordship (2004). Is there a common denominator? Of course. We made these albums together with Genesis Breyer P-Orridge – a living legend if there ever was one.

As we enter the stage at Nefertiti in Gothenburg on the 29th, Genesis will be with us. Not to make specific renditions or versions from our two albums, but rather to encourage and celebrate the atmosphere they contain. Very likely, we will surf on this wave of recurrence/resurgence to make a third album too. It would be stupid not to.

Late 1989, I organised a small spoken word tour for Genesis in Scandinavia. We had also already planned to record some of Gen's readings in a studio setting. As White Stains had just integrated sonic wizard Thomas Tibert, who had his own studio, everything moved on pleasant automatic. Gen read his poems perfectly – most of them were recorded on first takes – and when we later made the music for the poems it was like hand in glove on all levels. With textual material like that and a reading that smooth and professional, it's very hard not to make history.

Other adventures then intervened, as they usually do. But in 2002, it felt like it was high time again. As Genesis was coming over to do a lecture on his work at experimental music centre Fylkingen in Stockholm, Tibert and I prepared new music (then as Cotton Ferox) and it was bliss all over again. The result was released in 2004 in the form ofWordship. Some of these vocal recordings had also been used on Cotton Ferox' debut album First Time Hurts in 2002.

Someone as versatile as Genesis must surely have a hard time with projections from others. Is Genesis an (oc)cultural engineer, an industrial music pioneer, a collage artist, a philosopher, a magician etc? Well, of course, all of these and then some. But there is one all-permeating quintessence that is unmistakeable. Genesis is a poet. This is what fascinated me in the beginning of our friendship, and it still does. That's why it'll be an honour to share the stage with Gen and celebrate his/her poetry and the bizarre music that Tibert and I have concocted over the years. They go well together.

The performance will be neither "industrial" nor "electronica" nor "spoken word" but rather all of it in a colourful and quaquaversal mix created to make emotional jump cuts and possible existential mutations. It will be a grand old time spanning from ancient history to the distant future. I hope you'll be there together with us at Nefertiti in Gothenburg on June 29th, 2013, on this exciting adventure.


PS. You can buy all of the above albums at the iTunes Music Store. By buying the albums instead of illegally downloading them, you help us in the process of making and releasing new music. Thank you.

I should also mention that the concert is the public final event of a four day conference/symposium at the University of Gothenburg dealing with esotericism, occultism, alternative health movements and many other interesting things. Please consider taking part in this too!


"In the beginning there were White Stains." (Genesis 23:1)

Warhol Sound Series: Psychic TV / PTV3 Aug 16th 2013 in conjunction with Genesis exhibition at the Warhol

Saturday, May 25, 2013

The Warhol Genesis Breyer P-Orridge S/HE IS HER/E exhibition June 15 – September 15

For those not aware June 15 – September 15, 2013 The Warhol Museum will host the first solo museum exhibition of Genesis Breyer P-Orridge S/HE IS HER/E,



Main Image


Genesis Breyer P-Orridge: S/HE IS HER/E 

H/er first solo museum exhibition, S/HE IS HER/E, will showcase the breadth of P-Orridge’s art practice through over 100 works, dating from the mid 1970s to the present.  With an art practice dating back to the late 1960s, Genesis Breyer P-Orridge has reinvented and reintroduced h/erself as groundbreaking performance artist, pioneer of industrial music, "wrecker of civilization", essayist, and, most recently, as pandrogyne. H/er singular and, at times, provocative creative practice has exerted a profound influence on visual artists and musicians alike.  Genesis has performed in a number of music projects including Throbbing Gristle, Psychic TV and Pigface.  A central focus for the exhibition is the Pandrogyne project – a complex and highly ambitious series of collaborative artworks by P-Orridge and his wife Lady Jaye Breyer P-Orridge (1969-2007).  Frustrated by what they considered to be socially imposed limits on personal identity and on the language of true love, P-Orridge and Lady Jaye sought to merge their two identities, using plastic surgery, hormone therapy, cross-dressing, and altered behavior to create the pandrogynous being, "Breyer P-Orridge." An act of love, the work explores how fully two people can integrate their lives, bodies, and consciousnesses. Lady Jaye passed away in 2007, and the project continues with Genesis embodying the entirety of Breyer P-Orridge.

Thursday, May 23, 2013

OTTT member Jason Louv new book MONSANTO VS. THE WORLD




Jason Louv, who was a crucial part in setting the One-True-Topi-Tribe in motion, alongside Genesis and myself, has released his new book, Monsanto vs. the World. Monsanto and its monopoly on food and the "food" they want to provide for us, is the most crucial issue of our time. A minisite has been created for the book, and you can read a free sample.

 Monsanto, the world's biggest biotech company, is poisoning our food—and we don't have to go along with it. For the price of coffee, you could save your life and those of the people around you—read Monsanto vs. the World and find out how to say NO to Monsanto.
http://monsanto.ultraculture.org/

Paperback can be purchased here: https://www.createspace.com/4279936

Kindle version http://www.amazon.com/gp/product/B00C7DAKOE/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00C7DAKOE&linkCode=as2&tag=monsantosqueeze-20

Other digital formats http://www.smashwords.com/books/view/302820

Also check out Jason's Ultraculture: The best shamanic, occult and wake-you-up memes on the Internet: http://www.facebook.com/ultraculturegate

Thursday, May 16, 2013

Sabbath Assembly / Genesis P-Orridge - In the Time of Abaddon II - Live @ Roadburn 4-19-13

Sabbath Assembly perform hymns from the 60's Apocalyptic Cult, The Process Church of the Final Judgement. With the blessing of founding member Timothy Wyllie, Sabbath Assembly have reProccesed and rearranged the hymns for a modern audience. Liturgical reading: Genesis P-Orridge In the time of Abaddon II (Ye Are Gods 2012) Roadburn 2013 The Electric Acid Orgy April 19,2013 Tilburg, NL more Sabbath Assembly performance videos from Youtube user friggafrost http://www.youtube.com/user/friggafrost?feature=watch